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~~~~ Churches ~~~~

Located between Moulins and Bourbon l’Archambault, is Saint-Menoux with its remarkable church.

Menoux or Ménulphe was an Irish bishop; born in the 7th century. From Ireland he went to Great Britain, Armorique and finally to Quimper where, he was ordained to priest and then to bishop.

On the return voyage from Rome, exhausted and sick, he stopped to take some rest at the small village of Mailly-on-pink, (now Saint-Menoux). It is there that he died on July 12, the year unknown. He had asked to be buried the cemetery of Saint-Germain. His tomb became a place of pilgrimage. His servant, Blaise, being simple of mind decided to bore a hole in the sarcophagus of his sound master in order to put his head inside, as he wanted to be closer to his master. In doing this the story says that it left the simpleton “débrediné”, cured thanks to Menoux. It is still belived that if you have problems related to the head, be it physical or mental St Menoux has the cure.

A monastery was created to honour his memory. In 11th century, his remains were transported to the church built in his honour. It became an abbey of Benedictine monks.

In 11th century, the transept was altered and the current bell-tower was built. The nave and the interior were changed again in the 15th century. In the 16th century it was necessary to rebuild the cloister and parts of the church. The revolution destroyed the buildings and the great storm of 1806 destroyed the bell-tower. The church was saved by its classification in 1837.

One can still see in the narthex, the remains of the old sarcophagus with the bored hole. It is would be the genuine sarcophagus of Saint Menoux, that one that Blaise bored. The sides have since been replaced by a tomb more adapt to the increasing visits. The relics of the saint were placed there. One can still see them through the glazed openings. It is located in the chorus, behind the furnace bridge.

The frontage is from the 11th century with only some fragments of the small primitive apparatus still left. Behind the gable of the nave an oculus rises. The buttresses in north end are of 15th century, whereas in the south, the vestiges of a cloister are Gothic in shape.
The flanks distributed in supported radiating chapels of buttress-columns to the leafy capitals. Modillions with chips and carillons of billets, decorate the unit. The square bell-tower of 13th century is surmounted today by a modern frame, the stone arrow being taken down at the beginning of the 14th century. The footprint of the church is 62 metres in length and 16 metres wide, with radiating chapels grafted on the déambulatoire surrounding the apse.

The Narthex

The oldest part of the church (circa 1100), the narthex forms a vast room in trapezoid divided into three chambers spanned by arches supported by columns. The decoration of the capitals is simple, in particular the leaning lions and the crosiers. The top of the arcade is a cornice of billets supported by modillions. It is here that we find the sarcophagi Merovingian and the 12th century baptismal font.

The Nave

The nave was started and added to the Narthex in 12th century, is not very wide (20 meters). Building begun again in the 15th century, and provided vaults on intersecting ribs, it is divided into three and arches span each one. The northern side preserved its primitive cradle in semicircular arch, on beams.

The Transept

The Transept was completed at the end of the 12th of and the beginning of the 13th century. The architecture attests the penetration of the new Gothic style: intersecting ribs launched on a very high level, bottom of lamps with masks and hooks, double bays geminated under arcades.
It is said that several undergrounds tunnels lay diagonally under the church (the Nave). One of them arrives at the staircase inside one of the central pillars.

Chorus

The Chorus dates back to approximately 1150, it is built out of calcareous stone. The Romanesque art of Burgundy influence is achieved here, denoted by the width of its proportions and the elegance of its ornamentations. The footprint is that of the large Roman buildings, with some original elements, semicircular apse, framed of a déambulatoire open on five radiating chapels and preceded by two right spans, vaults of axis. The arch is moderated by a plank decorated with broad Greek beading and a line of doves and a stringcourse of checker work. The faults, water, the tellurium and the chimney are represented there. The Burgundy style capitals here are illustrating many topics.

A marble stoup which accommodates us is polished through being cherished by the many hands of the visitors…sits as a guard on the steps of the church.

The Saint Martin's day fountain

In Saint-Menoux, Saint Martin's day fountain can be found about 200m from the church. The fountain probably druidic, was Christianised later.

There one day, an enormous snake was installed on its kerbstone, prohibiting whoever, from coming to draw water. Saint Menoux slipped the end of his stick under the reptile and projected it far, while saying: “Where you will fall, you will be grass a snake.” The snake fell in a deserted place becoming the commune of Grass snakes. The snakes are known as “vouivre”…

Linen washed in the fountain, dried then worn close to the skin was repute to cure dermatitis. It has been said that simpletons were plunged in the fountain; while the priests recited the words of Saint Menoux…this was thought to cure them of their mental problems.

This church, and many more like it, steeped in history and folklore are here in the area for you to visit and appreciate.